South Pacific

South Pacific
Candlelight Dinner Playhouse
Johnstown, CO
March 17 - May 8, 2016

At the time it was written, South Pacific was controversial due to the storylines dealing with interracial relationships. It’s a recurring theme in the theater because it is important. To modern audiences, South Pacific may seem dated, but the message still rings true.

The music is what still stands out in South Pacific. Fans of musicals will recognize almost every song as it starts. “I’m Gonna Wash That Man Right Outta My Hair,” “There is Nothing Like a Dame” and “A Wonderful Guy” all stand the test of time. And, of course, “Some Enchanted Evening” is still a showstopper. It is performed in its entirety three times during each performance and still never gets old. 

The talented cast were up to the task of giving these classic songs the performance they deserve. The voices of Emil and Joe Cable in particular beautifully interpreted their songs. And Nellie gave each song the perky delivery you would expect from a “Cock-Eyed Optimist.”

The set was a beautiful beach scene and the indoor sets came out smoothly for changes. But the beautiful palm trees and waterline were always peeking out to remind us where we were.

The military costumes were expected but for many scenes the women sported swimwear to show it wasn’t all work on the island. The 1940’s civilian wear was well designed and served as a reminder of when we were in time.

The book somewhat weighed the production down. It seemed to follow a set formula of talk, musical interlude, song, repeat. The most exciting action sequences and the death of a major character were all offstage which definitely dated the show.

The timeless score and the universal themes all overcome the shortcomings in the script. South Pacific is an important show – not only to the history of theater but to today’s audiences as well.

Sweeney Todd

Sweeney Todd
Denver Center Theater Company
Denver, CO
April 15 - May 15, 2016

Sweeney Todd is a difficult show to produce. It is difficult to sing, difficult to stage and often difficult to stomach. But the Denver Center Theater company has never backed away from a challenge.
Sweeney Todd is a black comedy, horror story and tragic operetta.

The show began with “The Ballad of Sweeney Todd.” It was staged as a funeral. A hole opened up in the center of the stage with smoke rising from it. Each character approached the hole and threw something in – as if they were attempting to remove all trace of the man from their lives. At the end of the song, Sweeney rose from this “grave” to tell his own story. It was a powerful beginning.

After the ceremonial opening song, we moved directly into the tale. Through Sweeney’s new friend Anthony, we learn about the wrongs which drove him away from London. Once the background was established, we traveled with Sweeney as he attempted reclaim his life. What he found is even more tragic than when he left. As Sweeney’s thoughts turned to revenge, the tone of the story changed. Revenge is a desire most experience over the course of our lives and as we watched Sweeney turn that desire into action, we were both understanding and horrified.

The crux of the story is Sweeney's descent into the very depravity he is fighting against. The characters he meets along the way have their own agendas and all are affected by his desire for vengeance. His landlady Mrs. Lovett is less than subtle in willingness to stoop to any low.

Each character is perfectly cast in their roles and their voices add an operatic component to the discordant music. The serious tone is eased with several comic songs including “Try a Little Priest.” Despite the blackness of the subject, the masterful way it was performed made the audience laugh.

The darkness of the score is highlighted by two beautiful ballads – “Joanna” and “Not While I’m Around." The beauty of the songs and performance remind the audience of the reality of these people in this tragic story.

The new orchestrations by DeVotchka may not be noticeable to most and that is a tribute to how well they fit the show. The music has a less grand, more disjointed feel than the original.

The set created the mood perfectly. It transported the audience to industrial age London. The multi-level background gave characters a place to walk as they traversed the city. Mrs. Lovett’s shop easily moved on and off the stage and even turned to create more rooms. In Act Two the audience was transported to the shop's basement where the enormous oven spewed smoke. It was as if we were in the bowels of hell.

My only complaint about the show was Sweeney’s famous barber chair, which unfortunately had major technical difficulties at the performance I saw. The first issue at the start of Act Two was disruptive. But the second at the climax of the show was devastating. Seeing the last victim have to walk down the stairs and off stage felt amateurish. In a high quality production like this, it was a huge let down.

Overall, Sweeney Todd is an outstanding production. However, it is not for everyone. With difficult topics like murder, rape and cannibalism, it could upset sensitive viewers. But for those who can stomach the dark subject matter, it is a must see.

Peter and the Starcatcher

Peter and the Starcatcher
BDT Stage
Boulder, CO
March 4 - May 14, 2016

Peter and the Starcatcher is billed as a prequel to Peter Pan. While it is meant for an older audience, it carries much of the charm of the story. BDT Stage has made the play into an entertaining journey.

Who all the characters are or will become is not always clear. It doesn’t take long to identify Black Stache as the future Captain Hook. And Smee is, well, Smee. However, the other characters are not easily relatable to the famous story. But the script reveals their roles in its own time.

The telling of the tale is untraditional with the entire cast acting as a Greek chorus to narrate. The preface monologues were presented well with plenty of momentum to illustrate and entertain the audience until the action started.

The story is somewhat confusing with two identical trunks on two very different ships. The script and emphasis by the actors help us to attempt to keep them straight, especially when the same set is used for both ships.

The real star of the show was the staging. Scenes were blocked in a clever way and the use of simple objects demonstrated movement and changes in location. In many cases a simple rope designated walls. The positioning of actors was also effective. Many times their leaning and twisting gave the feeling of a lurching ship.

The casting was well done, as usual. Smee was just as you remember him and Black Stache had the charisma and perfect comedic timing needed to lead into Captain Hook. Molly asserts herself as a leader and the perfect lead in to Wendy. And Peter’s slowly emerging character gives insight to his desire to never grow up.

I would be remiss if I didn’t also give credit to the new chef at BDT Stage. The menu has been steadily improving over the past few years. The current offerings are more interesting and flavorful than the past. It’s difficult to decide which meal to order – then make plans to try something else next time!

Black Elk Speaks

Black Elk Speaks
Aurora Fox Theater
Aurora, CO 
March 18 - April 10, 2016

American history is something we all learn in school. And, as we learn, history tends to tell the story from the viewpoint of those who write it. Black Elk Speaks is American History – told from a viewpoint few ever hear. This is the story of Native American tribes versus “Manifest Destiny.”

The set is simple and beautiful. A rock on a stage of soil with a real fire in the middle. The moon hangs low in the distance. It feels like a special and sacred place. The show begins with a ritual. In these ceremonies, marijuana is usually burned but the producers chose to use sage instead. The scent is very similar and it added to the atmosphere.

The narrator, Black Elk, took the stage and told the story of his ancestors. From the beginning we learn this is the Native American stories as they tell them. The costumes worn by European settlers are exactly as a native would have made them out of animal hides with fringe.

The actors take turns playing the Native American heroes – Little Crow, Crazy Horse. The stories don’t excuse bad behavior on their own part, but they do emphasize the wrongs done to them. At time it’s heartbreaking. The first mention of “Sand Creek” lead to a large groan from the audience. Everyone knew what was coming.

The cast made up entirely of Native Americans, proudly name their tribes in their bios. The performance is inspired and told with grace. Ultimately, it is a story of healing and forgiveness. In the final scene, a child offers the ceremonial bowl to the audience. Perhaps the next chapter will be a peaceful one.